Forever Live and Die

season one, episode five

Where There’s Life...

written by Ira Nayman





© copyright 1999 by Ira Nayman
50 Evanston Drive
North York, Ontario
M3H 5P3
(416) 630-7331
ira@lespagesauxfolles.ca


FADE IN:

INT. PERFUME COUNTER – DAY

CATHERINE (late 30s, well preserved) looks over the offerings on the perfume counter in an upscale shopping mall.

CATHERINE
I’m afraid I’ve never been very good a this...

Catherine picks up a box and looks it over carefully.

CATHERINE (CONTINUING)
My body doesn’t take scents easily –I don’t know why. Maybe I’m missing a perfume gene or something...

Catherine puts the box back down on the counter.

CATHERINE (CONTINUING)
Can you recommend anything?

Catherine looks hopefully across the counter. On the other side, the COUNTERWOMAN sits on a stool, slumped over the counter. Catherine grabs a handful of her hair and lifts up the woman’s head. The Counterwoman’s skin is ashen grey, her eyes dead.

CATHERINE (CONTINUING)
Does nobody believe in service any more?

Catherine lets the woman’s head drop back to the counter and walks away.

INT. MALL LINGERIE DEPARTMENT – DAY

A MAN lies crumpled in the middle of a display of sexy women’s underwear, clutching a black nightie in one hand. His skin is quite grey.

CATHERINE
(over PA)
Attention shoppers...

INT. MALL TOY DEPARTMENT – DAY

A pregnant woman and a woman pushing a baby carriage lie ashen and dead in front of a display of violent video games.

CATHERINE
(over PA)
We’ve been gouging you with outrageous prices for, well, as long as I can remember. And we’re sorry. Really, really sorry.

INT. MALL ESCALATOR – DAY

Three dead grey corpses lie in a heap at the bottom of an escalator. Since it’s going down, it gently nudges them every other second.

CATHERINE
(over PA)
In fact, to prove how sorry we are, from now on, we’re offering a hundred per cent discount on all merchandise. That’s right. Not 10 per cent – that’s for wimps. 20 per cent? No way. Too wussy. One hundred per cent off. And not just on pathetic crap that nobody wants! No! On every single piece of merchandise in the store!

INT. MALL CAFETERIA – DAY

A MOTHER is face down in a bowl of soup. Across the table from her, a six year-old GIRL is slumped in her chair, an uneaten plate of vegetables in front of her. Both have grey skin.

CATHERINE
(over PA)
Well, I feel better. Have a nice day.

EXT. STREET – DAY

Catherine walks down the street, sipping a big coffee from a styrofoam cup and humming a happy tune. She walks up to a dead couple who, hand in hand, are lying on the street in front of a jewelry store window. The skin of both of them is a ghastly shade of grey.

CATHERINE
(sniffs)
You would pledge eternal love over worthless trinkets like –

SOUND: a dog barks weakly nearby.

CATHERINE (CONTINUING)
Excuse me.

EXT. CORNER – DAY

Catherine walks around the corner to find a MATRON (50ish, plump, conservatively dressed) face down on the concrete, her skin a ghoulish grey. Around her wrist is the leash of a small dog, who barks happily when he sees Catherine.

CATHERINE
Oh, you poor thing!

Catherine kneels down to free the dog, but can’t bring herself to touch the woman’s body.

CATHERINE (CONTINUING)
Uhh...hold on a sec...

Catherine stands and looks around. Spotting something, her eyes light up.

CATHERINE (CONTINUING)
Oooh!

EXT. STREETLAMP – DAY

A Lamborghini has gently plowed into a streetlamp. There is a small dent in the fender; otherwise, it looks to be in perfect condition. Catherine reverently walks up to the car. SOUND: the dog yaps faintly in the background. Catherine walks around the car, appraising it appreciatively, then walks to the driver’s side door and opens it. DRIVER (middle-aged, pot, unconvincing toupee) slides out the door. His skin is dark grey.

CATHERINE
I never thought I’d be thankful for a man’s mid-life crisis, but –

Catherine uses a toe to gently nudge the Driver’s body out of the car.

CATHERINE (CONTINUING)
Time somebody more deserving took possession of this wonderful machine.

INT. CAR – DAY

Catherine is cheerfully driving very fast down the street. She slows down when she comes to a group of animals meandering down the street. The group includes: a pair of horses, a rhinoceros, several barnyard animals, a giraffe, two deer and a goat. Catherine leans heavily on the horn, to little effect. Frustrated, she sticks her head out the window.

CATHERINE
Hey! We didn’t make these roads for you!

Fed up, Catherine turns down a side street.

EXT. GAS STATION – DAY

The Lamborghini drives into a gas station. A couple of other cars have stalled there. Dead, grey bodies are in the cars; a couple of bodies in uniform are on the pavement. The Lamborghini pulls into a self-serve bay and stops. Catherine gets out and starts filling the engine with gas, all the while humming her happy tune. As she fills the tank, she notices one of the uniformed corpses nearby.

CATHERINE
Hey...

She peers intently at the body for a moment.

CATHERINE (CONTINUING)
Chet – wanna check my oil?

Catherine laughs gaily to herself.

INT. CAR – DAY

Catherine is driving down another street. Fast. She fiddles with the knob of the radio, but there is nothing but static.

CATHERINE
Why is there never anything good to listen --

SOUND: a telephone begins to ring. Catherine slams on the breaks, bringing the car to a screeching halt. The phone continues to ring. Catherine opens the glove compartment, revealing, among other things, a cell phone. For a moment, she looks at it hungrily. Then, Catherine grabs it out of the glove compartment and turns it on.

CATHERINE (CONTINUING)
Hello?

PHONE VOICE
Hello. This is North American Telecom. Please stand by, and a representative will come on the line and tell you all about our exciting new long distance services and rates.

SOUND: static. Catherine takes the phone away from her ear to look at it in disbelief. Then, she puts it back to her ear.

CATHERINE
Hello? Hello!

Catherine sighs, then ferociously slams the phone on the dashboard until there is nothing left of it but electronic shards.

INT. MAYOR’S OFFICE – DAY

It is large, with lots of warm wood paneling, bookcases and furniture, tasteful art on the walls, a good view of the city out of the window, etc. The MAYOR (50ish, trim) sits in a chair behind the main desk, dead and grey, of course. Catherine paces back and forth on the other side of the desk.

CATHERINE
Okay, I’ll admit, I didn’t vote for you – either time. Honestly, you’re a huckster and a clown – not my idea of the ideal mayor. Still, at times like this, shouldn’t we put aside partisan differences for the greater good?

She stops pacing and looks hopefully at the Mayor. After a couple of seconds, she resumes her pacing.

CATHERINE (CONTINUING)
Right. It seems to me that the ordinance to control the size and frequency of house parties has resulted in a drastic reduction in the rate of fun in this city, and should be abolished forthwith. I’m sure you’ll agree?

Catherine stops pacing and looks at the Mayor. Again, no response. After a couple of seconds, she resumes pacing.

CATHERINE (CONTINUING)
And another thing: do you really believe that anti-smoking by-laws really stop people from smoking?

INT. MAYOR’S OFFICE – DAY (LATER)

Catherine has pulled a chair up next to the Mayor. She has chummily put one arm around the top of his chair, careful not to actually touch him.

CATHERINE
(confiding)
George. Beautiful blond curls. Face like a Greek god. And he knew it, too, the little shit. Still –
(grimaces)
Still, I really wanted to –

Catherine clutches her stomach in pain. To get her arm to it, she knocks the Mayor’s head, causing him to slump forward in the chair. His head hits the desk with a dull thud. Catherine, horrified despite her pain, jumps out of her seat.

CATHERINE (CONTINUING)
(gasping)
Don’t...don’t mind me. This...will...soon... pass...

After a few seconds, it does. Panting, Catherine straightens up and looks around the room. Her breathing slowly returns to normal. She goes to a corner of the Mayor’s desk where there is a telephone, picks up the receiver and starts to punch in numbers. Catherine puts down the receiver and looks at the Mayor.

CATHERINE (CONTINUING)
Dial nine to get out, right?

Catherine picks up the receiver again and dials enough numbers for a long distance call. SOUND: phone ringing. After three rings, a click.

FROST
(over telephone)
You have reached the Frost residence. Unfortunately, I am not able to take your call at the present time. If you would like to leave a –

Catherine slams down the phone.

CATHERINE
(muttering)
This last survivor of a dead race shit is getting old real fast!

EXT. STREET – DAY

The Lamborghini rounds a corner. CHARLES (stiff demeanour, round features, big glasses, nerdy clothes) sits in a lotus position in the middle of the road. Catherine slams on the breaks, swerving to miss him. Charles, working on a laptop on top of his lap, is oblivious to this. Catherine backs up so that she can speak to him out of the window of her car.

CATHERINE
Hey! Einstein!

Charles looks up.

CHARLES
Oh. Hello.

CATHERINE
What are you doing?

CHARLES
I’m lost.

Catherine considers this for a moment.

CATHERINE
And you think playing Buddha in the middle of the road will help?

CHARLES
(taps laptop)
I’m trying to triangulate my position using the Global Positioning Satellite, but there’s too much static.

CATHERINE
I had heard that.

CHARLES
I was looking for a store when I –

CATHERINE
(brightens)
Shopping! Now, there’s something I know one or two things about. What do you need?

CHARLES
Oh, well...

Charles types something into his computer and waits a moment for the results.

CHARLES (CONTINUING)
(reading screen)
Carbon tetrachloride...hydrogen sulfide...a tank or two of O2 –

Catherine holds up a hand.

CATHERINE
You’re on your own.

Catherine revs the engine, but stays when something occurs to her.

CATHERINE (CONTINUING)
Hey – you’re alive!

CHARLES
Hey – you’re alive.

CATHERINE
Let’s party!

INT. CLOTHING STORE – DAY

Catherine stands outside a change booth in a posh men’s clothing store.

CHARLES
(off)
Is this really necessary?

CATHERINE
I know what you mean – I hate buying off the rack, too. But I don’t think we’ll find a tailor –

CHARLES
(off)
I meant the suit.

CATHERINE
You want to look your best for our first date, don’t you?

Charles walks out of the booth wearing a smart tuxedo. Catherine eyes him appreciatively.

CHARLES
First date? I never said –
(notices her look)
What?

CATHERINE
Amazing, isn’t it, how a good suit can turn any man into a swan?

CHARLES
I’m not sure I like the implications of that.

CATHERINE
(laughs gaily)
Best not to think about them, then.

INT. BARBER SHOP – DAY

Charles, safely wrapped in towels, sits in a chair, his face half covered in shaving cream. Catherine, straight razor in hand, is delicately shaving him. An elderly man in an apron lies dead on the floor near a broom; a younger man is slumped in one of the waiting chairs, also dead. The skin of both men is a ghastly grey.

CATHERINE
So, how about those Giants?

CHARLES
I don’t think they’ll be winning any more games for an awfully long time.

CATHERINE
Pessimist.
(pause)
So...Charles. Were you named after anybody?

CHARLES
Darwin.

CATHERINE
The monkey man?

CHARLES
My...parents thought it was terribly funny. What about you? Catherine the Great?

CATHERINE
Catherine the great...grandmother. In my day, the tradition was to name children after dead but still much loved relatives.

CHARLES
Your day?

CATHERINE
It’s true. I’m older than I look.

CHARLES
Funny. I’m younger than I look.

CATHERINE
Ooh! This relationship just keeps getting better!

EXT. SHOPPING MALL – DAY

The Lamborghini is parked by the front door. Catherine, on the sidewalk, speaks to Charles through the open window on his side of the car.

CATHERINE
If I’m not back in a couple of hours, send in the bloodhounds.

CHARLES
When will you help me find what I need?

CATHERINE
Honey, if tonight goes well, you’ll get everything you need!

INT. PERFUME COUNTER – DAY

Catherine walks past the counter.

CATHERINE
(to dead woman)
They work you too hard, here, you know?

EXT. SHOPPING MALL – DAY

The sun is setting. Charles is working at his laptop. A couple of seconds pass.

CATHERINE
(off)
So, what do you think?

Charles looks up. Catherine, standing next to the car, looks amazing in a very stylish evening gown.

CHARLES
You, uhh, look...good.

CATHERINE
Good? Good! I look fucking amazing!

She rounds the car and gets in the driver’s side.

CATHERINE (CONTINUING)
You really don’t get out much, do you?

INT. CAR – NIGHT

Charles continues to work on his laptop as Catherine drives.

CATHERINE
What’s so fascinating?

CHARLES
All those personal home pages – it’s like everybody hasn’t died.

CATHERINE
(pointed)
Everybody hasn’t died.

CHARLES
Want to hear what Billy Bautista’s ten favourite heavy metal songs are?

CATHERINE
Want me to throw your computer out the window?

CHARLES
Erm...

CATHERINE
Does that mention if he was masturbating to Pamela Lee Anderson videos when he died?

CHARLES
I hope you don’t mind my saying, but you’re awfully…outgoing for somebody your age.

CATHERINE
I used to be a serious person.

CHARLES
What happened?

CATHERINE
I was cured.

Charles looks at the screen of his laptop for a couple of seconds.

CHARLES
Humanity – it never fails to amaze me.

CATHERINE
Humanity – it never failed to get in the way of having fun. Speaking of which – when we get to the club, you have to leave the computer in the car.

CHARLES
What? But –

CATHERINE
It’s not like anybody’s going to steal it...

EXT. STREET – NIGHT

The Lamborghini races past a dead HOMELESS MAN using a cardboard box for shelter. By his feet is a hat and a cardboard sign pleading for assistance. Near him is a dead middle-aged EXECUTIVE in a three piece suit. Both have grey skin.

INT. CLUB (BOOTH) – NIGHT

MUSIC: "Six Underground" by the Sneaker Pimps. Catherine and Charles sit in a booth, one half full glass and one completely empty glass in front of each of them. They have to shout to be heard.

CATHERINE
What do you do?

CHARLES
You could say that I owe my life to computers and genetics.

CATHERINE
Interesting combination.

CHARLES
You?

CATHERINE
Oh, I’ve done a lot of things in my time.

(brief pause)
Like every woman, I suppose.

CHARLES
What have you done most recently?

CATHERINE
I run a flower shop.

SOUND: the music goes "snkt snkt."

CHARLES
Oh.

CATHERINE
Actually, a chain of flower shops.

CHARLES
I didn’t mean –

SOUND: the CD starts to skip, repeating the line, "I’m open to falling from grace."

CATHERINE
Actually, I own Fleurs du Mal.

CHARLES
(whistles)
I’ve heard of them. Big, aren’t they?

CATHERINE
We have over 600 shops in 27 countries. Excuse me.

Catherine wriggles her way out of the booth. In front of the booth lies a dead waiter, skin grey, a tray with a couple of drinks dropped near his outstretched hand.

INT. CLUB (DANCE FLOOR) – NIGHT

The floor is littered with the corpses of several beautiful people in fancy dress, all reduced to an ashen grey pallour. Catherine daintily steps around them, slowly making her way to the DJ booth.

INT. CLUB (DJ BOOTH) – NIGHT

The DJ is slumped over a huge mixing board. Catherine walks into the booth.

CATHERINE
(cheerful)
Hey, Mister DJ! You’re sure falling down on the job!

Catherine goes over to a stack of CDs piled on an amp and starts to look through them.

INT. CLUB (DANCE FLOOR) – NIGHT

Catherine is making her way across the floor as Chris Isaak croons "They did a bad, bad thing."

INT. CLUB (BOOTH) – NIGHT

Catherine slides back into the booth. MUSIC: Isaak continues.

CATHERINE
The funny thing is, I used to be allergic to flowers.

CHARLES
Is the music really necessary?

CATHERINE
It’s an important part of the ambience.

CHARLES
Oh.

Charles gulps down the remainder of the his drink.

CHARLES (CONTINUING)
Why don’t we go someplace with a...quieter ambience?

CATHERINE
Sure.
(looks around)
This place is dead.

EXT. PARK BENCH – NIGHT

Charles and Catherine are sitting on the bench eating hot dogs, a can of pop on the bench next to each of them. From where they are sitting, we can see the bodies of people who were doing various park things (ie: throwing a frisbee, pushing a baby carriage, jogging, etc.) when they died.

CATHERINE
(to herself)
What a magical evening.

CHARLES
Catherine, may I ask you a question?

CATHERINE
Certainly.

CHARLES
Would you love me if I were the last man on earth?

Catherine nearly spits up part of her hot dog.

CATHERINE
You...you don’t think...

CHARLES
Oh, no. Of course not.

CATHERINE
What...what do you think happened to everybody?

CHARLES
Hubris.

CATHERINE
What?

CHARLES
We thought we could control fire, but Prometheus didn’t steal a thermostat from the gods.

CATHERINE
I’m sorry, Charles, but I don’t –

CHARLES
In nameless laboratories in unspecified locations, scientists have been using our knowledge of DNA to create weapons. Viruses, mostly. Viruses specially targeted to kill human beings, but leave everything else intact. Virulent poisons. Nobody in their right mind would let such a weapon loose on the world. Unfortunately, accidents happen.

CATHERINE
Do you work in...in that kind of a lab?

CHARLES
No. But I know people who do. Family men, mostly. Give to charities. Go to church on Sundays. Totally insane, of course, but otherwise decent men, full of love for humanity.

CATHERINE
How...how could anybody survive?

CHARLES
You mean, how did you survive?

CATHERINE
You’re so direct.

CHARLES
(big breath)
Some people may have a genetic predisposition to resist the virus. Of course, this is all speculation.

CATHERINE
Of course...

She looks at her hot dog, uncertain of whether she should take a bite out of it or throw up on it. After a moment, she grins and takes a big bite out of it.

EXT. WATERFRONT – NIGHT

Catherine and Charles stand on a pier, looking out over a body of water. In the background, we can see the Lamborghini. Lights from surrounding buildings are reflected in the gently lapping waves. A couple of bloated grey bodies float on the surface of the water.

CATHERINE
I’ve always been drawn to the water.

CHARLES
You didn’t answer my question.

Catherine turns to face him.

CATHERINE
What question was that?

CHARLES
Would you love me if I was the last man on earth?

CATHERINE
Charles, I –

Catherine grimaces in pain.

CHARLES
Catherine!

He moves to hold her as she doubles over in pain.

CHARLES (CONTINUING)
Catherine! What’s wrong?

CATHERINE
(gasping)
I...I’m sorry...

With a single deft motion, Catherine pulls Charles’ head to one side, exposing his throat. She bites into it. The fluid which pours from his throat is green. Catherine pulls back and spits his flesh out of her mouth, disgusted. They look at each other, uncertain.

CATHERINE (CONTINUING)
What the fuck are you?

CHARLES
Oh, uhh, I’m an android. Should I have mentioned that earlier?

He puts a hand on his wound to staunch the flow of green blood.

CATHERINE
Should you have – damn right you should have mentioned it! It’s not nice to let a girl think she’s going out with a human being when you’re...you!

CHARLES
Sorry.

CATHERINE
How can you be an android? You’re so human!

CHARLES
I have a genetically developed, test-tube grown epidermis, my eyes were grown in a vat, my blood is based on seawater. Uhh, speaking of which, you wouldn’t happen to have a handkerchief or cloth or –

Catherine looks in her bag and comes up with a pair of napkins from the club.

CATHERINE
Here.

She hands the napkins to him.

CHARLES
Thanks.

Charles holds the napkins to the wound in his neck, slowing the blood down to a trickle.

CHARLES (CONTINUING)
Why did you bite me?

CATHERINE
(shrugs)
I’m hungry.

CHARLES
People don’t eat each other when they’re hungry.

CATHERINE
I’m one of the undead.

Charles looks at her not understanding.

CATHERINE (CONTINUING)
You know – a vampire?

CHARLES
But vampires aren’t real. They’re a literary device.

CATHERINE
A literary device?
(considers)
I’ve been called worse.

CHARLES
Well, it seems neither of us have been exactly honest.

Catherine smiles, then bursts out laughing.

CHARLES (CONTINUING)
Why are you laughing?

CATHERINE
A vampire and an android – not exactly Adam and Eve.

CHARLES
I fail to see the humour.

CATHERINE
Do you see humour in anything?

CHARLES
No. I wasn’t programmed to appreciate humour.

CATHERINE
(laughing harder)
Soon, you’ll die of your wound. The pain from my hunger will not go away – eventually, it’ll get so unbearable that I’ll kill myself – permanently. Some future!

CHARLES
Not necessarily.
CATHERINE
No?

CHARLES
If I can make it back to the lab, I can probably sew up my wound.

CATHERINE
Good for you. What about my little prob –
(gasps)
Problem?

CHARLES
We grow human limbs back at the lab. They weren’t touched by the virus – they’re kept in an airtight, sterile environment. There’s probably enough blood there to keep you going until I can learn how to clone whole human beings.

CATHERINE
That’s – no. No way. It won’t work.

CHARLES
(shrugs)
You know what they say.

CATHERINE
What?

CHARLES
Where there’s life, there’s hope.

Catherine looks at him in disbelief for a moment. Then, she doubles over in pain. Charles puts an arm around her shoulder and, gently leaning on each other for support, they unsteadily walk up the pier towards the car.

FADE TO BLACK

The end of Forever Live and Die: "Where There’s Life..."